The Levine Collection at the Sands Point Preserve, by Faith Lewis
A Festschrift for Mellanay Delhom
Nicholas Sprimont at Chelsea, His Apprentice William Brown,
and the "Anchor-and-Dagger" Mark, by Hugh Tait
Aesop's Fables on Two Early Chelsea Plates, by Vivian S. Hawes
English Ceramic Wall Pockets, by Amanda Lange
Overglaze-Printed Worcester Porcelain at Winterthur, by Juliet Chase
John Devaere's Work in Rome for Wedgwood, by Robin Emmerson
A Wedgwood Potato(e) Pasty: A Lesson from the Past, by David M. Pendergast
Some of Wedgwood's Unsung Heroes: Nineteenth-Century
Travellers at Home and Abroad, by Sharon Gater
Harry Sheldon, 1915-1995, by John Sandon
Book Review
On the cover: A Wedgwood centerpiece, the lilac dip and white jasper
bowl supported by a faun and a nymph in the Parian body. This piece was
modeled for Wedgwood by the French sculptor Albert-Ernest
Carrier-Belleuse (1824-87) and made about 1866. Impressed WEDGWOOD
mark, 17" (45.2 cm) h., 17" (43.2 cm) w. Levine collection, Sands Point
Preserve, New York. See page 8.
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